1. Your home reflects a sense of careful planning and intentional design. Could you share what inspired that vision and how you brought it to life?
A: From the very beginning, we envisioned a home filled with light and openness. That’s why we designed a central courtyard with a ficus tree at its heart, surrounded by rooms on different levels so that every space felt connected yet private too. My husband, being a doctor, needed a study that was bright and uplifting, so we placed it alongside our master bedroom on one level, while the children’s rooms were on another. We also added a drawing room and guest room to ensure privacy for everyone, and later, a home theatre to bring the family together. Both of us love gardening, so we left ample space for a large garden and chose a maintenance-free pink stone for the exterior. Even after 30 years, it has required no work, which was a blessing. Our architects were very skilled — one was also an engineer — and they designed the house to be both strong and practical. Through decades of rain and weather, we’ve never had leaks, flooding, or major structural problems. Their thoughtful planning gave us a home that has stood beautifully and gracefully over time.

2. What are the other distinctive highlights of your home?
A: What I treasure most is how almost every room overlooks the garden. That connection to greenery makes the house feel alive. The garden itself is not manicured in the traditional sense; it has a natural, slightly wild quality that we deliberately maintain. Over the years, the trees we planted have grown tall and majestic, becoming more striking than the house itself. There’s one tree in particular. it was only a few hundred rupees when we bought it, that has grown into something truly remarkable, standing proudly in front of the house. Later, we added a treehouse, which has become a highlight for our grandchildren, but the trees remain the real soul of the place. Along with the courtyard, the natural light that filters through the rooms, and the way every corner of the house has a view of greenery, these features are what make our home distinctive and memorable.

3. Is there a particular space or feature in your home that gives you an extra sense of comfort, a spot you find yourself drawn to most often?
A: I find comfort in two spaces above all. The drawing room is one of them, because it looks directly onto the garden, and that view alone brings a sense of peace. The other is our bedroom, which we designed to meet our needs in every way. It’s more than just a place to sleep, it has bookshelves, a study area for my husband, a sofa, and a TV, so it becomes a place where we can work, read, and relax together. The comfort of the bedroom lies not only in its design but also in the way it reflects our daily life and routines. These two spaces, one for quiet reflection and one for shared comfort, are the parts of the house I value most.

4. Homes often hold little stories within their walls. Are there any special moments that make this house especially meaningful for you?
A: This house has witnessed some of the happiest moments in my life. Both of my children were married here, and now my grandchildren live and play here, filling the space with laughter and joy. That alone makes the home deeply special to me. I also cherish the fact that my mother and my in-laws were able to spend time here during their lives. They came from Lahore and other places, and seeing them enjoy this house gave me immense happiness. In many ways, the house became a gathering place for family across generations, and that has added to its meaning. Of course, life always comes with trials, but this house has carried us through both joyous occasions and difficult times, holding those memories within its walls.

5. The treehouse has a creative almost magical touch. What inspired you to bring that idea to life in your home?
A: We had always loved the idea of a treehouse, but we couldn’t manage to build one when our children were small. When the grandchildren came along, it became a dream we wanted to fulfill for them. For nearly a decade, we searched for the right person to build one the way we had imagined, not plastic or fiberglass, but something natural and authentic. Eventually, we found a young architect from Karachi who worked with bamboo. He had designed schools and community buildings in Sindh using this material, and we felt he was the right person. With a team of Bangladeshi craftsmen skilled in bamboo, he built the treehouse with great care and artistry. It’s now been standing for about three years, and it feels like a magical extension of the garden — a place of wonder for the children, and a reminder of how long-held dreams can come true.

6. Is there any specific incident, or memory, with this house?
A: One memory that has stayed with me involves the sculptor Shahid Sajjad Sahib, who once visited our home. I admired his work and told him it was beautiful but beyond my budget. He looked at the tree outside and said, “What could be more beautiful than this? You don’t need my art when you already have such beauty in your own garden.” His words struck me deeply. That tree had grown with us, becoming a part of the house’s identity, and he made me realize how priceless it really was. It was a reminder that nature itself can be the greatest work of art, and that perspective has stayed with me ever since.

7. Managing and maintaining a house of this size can’t be easy. What kind of challenges do you face in its upkeep, and how do you and your family work together to handle them?
A: Like any household, we face our share of challenges, but we are fortunate to have a reliable and long-serving staff, many of whom have been with us for years. Their presence makes the day-to-day running of the house much smoother. Because of our area, the exterior stone requires occasional polishing, but otherwise, the interiors remain well maintained. Our lifestyle also helps keep everything in balance. My husband and I start our day early, waking before dawn to pray and then play golf, returning home by 7:30 a.m. — just as the staff begins their work. By mid-morning, most of the household tasks are completed, and the house is in order. This rhythm keeps life simple and organized, and instead of feeling burdened by the size of the home, we find peace in the way everything flows together.

8. Every home has its own charm, but attachment runs deeper than design. If you were offered another beautiful house, would you be open to moving?

A: Like anyone, I would prefer not to leave my home, but I’ve always believed that a house is ultimately made of walls and bricks — it is the people inside who give it life. When we returned from America, friends told me I would miss my house there, but I reminded them that my family was with me, and that is what mattered most. That being said, this house does hold a deep emotional connection. My children grew up here, and my son in particular feels so attached that he refuses the idea of moving anywhere else. For him, this space is irreplaceable. I share his sentiment — as long as it is God’s will, I would like to stay here. For me, the house is more than just shelter; it is a vessel of memories, love, and family history, and that is what makes it priceless.

The post A Home With a View appeared first on Glam Magazine.

Q: How do you ensure the brand stays relevant in Pakistan’s highly competitive fashion retail market?
Relevance is earned through listening, adapting, and anticipating change. At Diners, we conduct regular competitive brand audits to stay ahead of market dynamics. These audits help us assess our standing against key players, track shifting consumer behaviour, and spot emerging trends before they go mainstream. It’s a dynamic landscape, and we treat it as such—constantly refining our strategy so that the brand remains contemporary, compelling, and connected to our audience. In fashion, complacency is the enemy of relevance.

Q: What sets Diners and Sohaye by Diners apart from other clothing brands?
It begins with clarity. Our brand positioning is sharp and consistent, and our value proposition is built around quality, affordability, and timeless style. What truly sets us apart, though, is our customer-first mindset. Whether we’re designing a new collection or rethinking retail, we approach everything with the question: “What would our customer want?” This culture of continuous improvement ensures that every Diners and Sohaye piece is not just stylish, but also meaningful to the person wearing it.

Q: What role does customer feedback play in shaping your collections?
Customer feedback is the soul of our design process. We don’t just design clothes, we design experiences. Through structured feedback mechanisms, in-store insights, and digital engagement, we’re constantly learning what our customers love, what they need, and how they want to feel. This feedback helps us fine-tune fabrics, adjust fits, and refine styles to create clothing that speaks to people, not at them. Every collection we launch is a reflection of real voices and real lives.

Q: How do you balance traditional wear with modern fashion trends?
For us, tradition and modernity aren’t opposites—they’re two sides of the same coin. Our design philosophy blends the richness of traditional Pakistani aesthetics with the refinement of contemporary silhouettes. Think timeless embroidery on minimalist cuts, or classic motifs reimagined in modern palettes. This balance appeals not only to our core market but also to the growing diaspora of Pakistani women who want to celebrate their heritage with a global touch. Sohaye, in particular, embodies this fusion beautifully.

Q: How crucial is e-commerce to Diners’ growth strategy?
E-commerce is no longer an extension of retail—it is retail. It offers accessibility, convenience, and personalization like no physical store can. For us, digital sales ais central to future growth. We’re investing in immersive content, smarter search tools, mobile optimization, and personalized shopping journeys. Our goal is to make the online experience just as warm, trustworthy, and enjoyable as walking into one of our stores. We see e-commerce not just as a sales channel, but as a powerful platform for brand storytelling and customer connection.

Q: How do seasonal sales and discount campaigns support the brand’s image?
Seasonal promotions are strategic moments to create buzz, engage our audience, and reach new customers. We’re very intentional with our campaigns, timing them with key shopping periods and designing them to maintain the brand’s integrity. We never compromise on quality even during sales. The goal isn’t just to boost sales in the short term, but to create memorable experiences that turn first-time buyers into loyal patrons. Done right, discounts can enhance brand value, not diminish it.

Q: Is Diners taking steps toward sustainability in fashion?
Absolutely. Sustainability is no longer optional, it’s essential. We’re taking active steps toward integrating sustainable practices throughout our value chain. This includes responsibly sourcing fabrics, reducing production waste, using eco-friendly packaging, and exploring circular fashion models. While it’s a journey, not a destination, we are fully committed to making choices that are better for both people and the planet. Our customers are increasingly conscious of these issues, and we want to grow with them—ethically and responsibly.

Q: As a leader, what challenges do you face and how do you overcome them?
Leading a brand is as much about mindset as it is about strategy. Challenges range from meeting tight deadlines to navigating market shifts, and maintaining team morale during stressful times. I believe in staying calm under pressure, setting clear priorities, and empowering my team to take ownership. Leadership is about building trust, practicing self-awareness, and thinking long-term, even when you’re surrounded by short-term pressure. It’s not always easy, but the impact makes it incredibly fulfilling.

Q: How do you see the Pakistani fashion industry evolving in the next 10 years?
Traditional garments like the shalwar kameez will remain timeless, but they’ll evolve with lighter fabrics, fluid cuts, and bolder colour expressions. I also believe Pakistani fashion will gain more international visibility as our designers continue to push creative boundaries.

Q: Finally, what message would you like to share with Diners and Sohaye customers?
To our valued customers: thank you for walking this journey with us. Every outfit we create is made with care, purpose, and the belief that you deserve to feel confident and comfortable in your own skin. Whether it’s a crisp kurta for the office or a festive jora for Eid, we’re honoured to be part of your life moments. Keep believing in your style—and wear it with pride.

The post A Conversation with the Visionaries Behind Diners appeared first on Glam Magazine.

Wahaj Ali, who began his acting journey in 2015 with Ishq Ibadat, has risen to become one of the most admired actors in the country. His remarkable ability to bring depth, truth, and emotional intensity to his roles has earned him fans not just in Pakistan but across the globe. With memorable performances in dramas such as Dil Na Umeed Toh Nahi, Bikhre Moti, Fitoor, Mujhe Pyaar Hua Tha and Jurm, along with his portrayal of Imam Rumi in Jo Bichar Gaye, he has established himself as an actor of great versatility. Blockbuster serials like Ehd-e-Wafa and Tere Bin further elevated his stardom, making him one of the most sought-after names in television today. His contribution to cinema with Superstar added another dimension to his career, proving that his artistry transcends mediums.

Opposite him stands Sehar Khan, a name that has charmed audiences with her innocence, vibrance, and natural screen presence. Starting her career in 2018 with Sanwari, Sehar quickly earned recognition for her engaging performances and versatile roles. Born in Islamabad, she has worked in popular dramas such as Rang Mahal, Zakhm, Mushk, Fairy Tale and Tan Man Neel o Neel, each showcasing a different shade of her acting talent. The phenomenal success of Fairy Tale brought her into the limelight like never before, with her chemistry in the drama becoming a talking point everywhere. The appreciation translated into a well-deserved HUM Award in 2024 for Best On-Screen Couple, further solidifying her place as one of the brightest young stars of the industry.

The drama comes to life under the direction of Saif e Hasan, whose name is associated with some of the finest productions in Pakistani television. Starting with Dil Ki Madham Boliyan, he has given the industry masterpieces such as Sang-e-Mar Mar, Sammi, Ehd-e-Wafa, Parizaad and Tan Man Neel o Neel. Known for his ability to weave stories that are emotionally charged and visually striking, Saif e Hasan has won numerous accolades, including Lux Style Awards, for his outstanding contribution to the craft. His vision promises to make Jin Ki Shaadi, Un Ki Shaadi not just another drama, but a memorable experience for viewers.

What makes this drama stand out is its unusual yet refreshing storyline. It is not just a tale of love, but a satire laced with humor, fantasy, and raw emotions. The title itself hints at its clever theme, portraying how society often obsesses over others’ marriages while overlooking their own realities. The narrative follows two brothers, Asad and Ali, who, in accordance with their late parents’ will, are compelled to live in their ancestral mansion. Once there, they encounter a family of jinns, which sets the stage for a rollercoaster of events. The twist arises when the unmarried brother, played by Wahaj Ali, is bound by a condition: he must marry within six months or lose his inheritance. What unfolds is a fascinating blend of comedy, suspense, and emotion, with a parallel love story between a jinn and a human adding further depth and intrigue. It is a story of love, loyalty, and the clash between human and supernatural worlds, crafted in a way that will keep audiences hooked.

Alongside Wahaj Ali and Sehar Khan, the drama boasts a stellar supporting cast including Arslan Naseer, Romaisa Khan, Sidra Niazi, Syed Jibran, and Nadia Afghan. With a strong lineup of performers, every character in the drama promises to leave an impression. The story has been conceived by Shamoon Abbasi and written by Syed Nabeel, whose script blends wit, emotions, and drama with seamless finesse. The production is in the hands of MD Productions, a banner that has consistently delivered quality dramas that resonate with audiences at home and abroad.

The on-screen pairing of Wahaj Ali and Sehar Khan has been a long-standing wish of fans, who have often expressed their desire to see the two together. With this project, that wish finally becomes a reality. Their combined star power, undeniable charisma, and acting prowess are expected to bring electrifying chemistry to the screen, making Jin Ki Shaadi, Un Ki Shaadi one of HUM TV’s landmark productions.

The drama premiered on 8th September and airs Monday and Tuesday at 8:00 PM on HUM TV. With its refreshing concept, powerful performances, and captivating direction, Jin Ki Shaadi, Un Ki Shaadi is entertaining audiences and leaving a lasting impression in the world of Pakistani drama.

The post Where Jinns Meet Humans appeared first on Glam Magazine.

Now, as digital waves replace cassette decks and TikTok trends redefine hits, Faakhir continues making melodies and staying true to what first pulled him into music. “Honestly, it feels like riding a wild musical roller coaster,” he smiles, reflecting on his journey. From engineering classrooms to global stages, the transformation has been surreal. “I barely recognize the engineer-turned-musician in old pics!”

Faakhir’s musical career first took flight with Awaz, the iconic ’90s pop band that helped shape the sound of a generation. And while the band has long disbanded, the memories remain golden. “What I miss the most is the friendship, the chaos,” he says fondly. “Haroon’s energy, Asad’s stratocaster riffs, my frantic keyboard noodling… and those epic moments when we’d finally agree on a final version of a song. It was electric.”

From those jam-packed, impromptu sessions to today’s meticulous studio marathons, Faakhir’s process has evolved with time but the same heart remains. “Back then, we’d jam until someone had to escape for a date,” he laughs. “Now it’s long hours in the studio, powered by karak chai or a strong Americano.”

While his discography is filled with iconic hits, it’s ‘Kaash Hum Juda na Hotay’ from the album Mantra that holds the deepest place in his heart.“It came from a very personal space,” he shares quietly. “It still gives me goosebumps every time I hear or sing it.” His breakout solo anthem, “Dil na Lagay Pakistan”, still stirs hearts across the country—something he says was born out of youthful hope and a desire to connect with the nation. “I wanted to give people a proud, emotional wake-up call for loving the country. It just came in my heart one day.”

And who could forget ‘Mahi Ve’—the song that became a cultural reset? “Ironically,” he chuckles, “that melody was actually a rejected jingle from an ad I did. Later, I turned it into a full-fledged song. Never thought it would become a classic!”

A man of many hats—composer, singer, director—what role does he enjoy the most? “Composing,” he answers instantly. “It’s like cooking a fusion dish. But performing live? That’s the ultimate high. That energy, that crowd—it’s addictive.” Despite the quieter public presence in recent years, Faakhir’s creativity hasn’t slowed down. “I’m always composing,” he reveals. “I have tons of unreleased material sitting in my vault.”

Still, he admits the changing tides of the music industry have been a lot to keep up with. “Streaming, social media, TikTok—it’s overwhelming,” he says honestly. “I desperately need someone to help me with that part!” He credits Coke Studio for keeping local music alive and ever-evolving. “It’s like a chemistry lab,” he says. “Taking old, new, folk, pop—mixing it all together to create something that resonates with everyone. It’s genius.”

To young musicians trying to find their voice in this fast-paced world, his advice is delightfully simple,“Stay weird. That’s your flavour,” he says. “Learn the tools, sure, but don’t let them erase your creative spark.”

Behind the scenes, Faakhir still surprises fans. Did you know he’s a certified electrical engineer? “Yes, I can probably fix your Wi-Fi router,” he jokes, “but only after I’ve tuned a piano.”

As for what’s next, the composer hints at a few exciting collaborations. “They’re brewing,” he says with a mischievous grin, “but I’m so lazy! Fingers crossed.”

If he could give his younger self any advice? “Pace yourself. Don’t be lazy, don’t get too comfortable.”

And what does success look like to Faakhir Mehmood in 2025? He smiles thoughtfully. “A peaceful home, a cup of karak chai, a melody on the keys… and knowing that someone out there still hums one of my songs and understands the heart behind it.”

In the end, how does he want to be remembered—not just as a musician, but as Faakhir? He answers simply, without pause, “As someone genuine, generous, kind-hearted… and who truly loved his craft.”

The post Faakhir Mehmood – Music Embedded in the Soul appeared first on Glam Magazine.

Describe yourself in two words:
Passionate Learner.

Quote that resonates with you:
“Dil ko dil se raah hoti hai.” Always.

First time on set?
They threw the toughest scene at me on day one. I panicked inside—“ab mai kya karun?”—but I pulled it off.

Most unexpected career lesson?
Downfalls come and go. What matters is that you keep going.

Coffee or Tea on set?
Neither. I run on vibes.

Favourite holiday destination?
Call me basic, but New York has my heart.

Most cherished memory?
Playing a football match with Ronaldinho during my A’levels. Unreal!

A movie you can watch on loop?
Fight Club and Zindagi Na Milegi Dobara — both fuel different parts of me.

Phrase you hear a lot?
“Boss. Boss, aaj scene konsa ker rahay hain hum?”

Happiest time of the day?
Post one a.m. That’s when my creativity kicks in hard.

Guilty pleasure?
Late nights. Every. Single. Time.

Advice for aspiring artists?
Learn the art. But never loseyour touch, be original.

The post Short & Sweet appeared first on Glam Magazine.

The play confined to one room, presents two elderly women seemingly forgotten by time and family. Their world is at a standstill, and memories are the only sustenance in the confines of the four walls that haven’t seen visitors for a long time. The title, House Arrest, couldn’t be more appropriate to their situation.

On the surface, it appears to be a domestic drama, an ongoing conflict between the old women and their materialistic son and daughter-in-law. But beneath that lies a scathing, satirical reflection of a broader reality. The obsession with ownership, the desperation for control and the pettiness of egos. In their arguments over a name on a gate, we see our own societal hierarchies, our personal wars for validation, and the illusion that money and power equals peace.

The brilliance of Anwar Maqsood lies in his layers. As the women remain ‘arrested’ in their own home, the audience is introduced to a parade of visitors: a robber, a retired judge, a former police officer and a disillusioned hockey player. Each is symbolic. Each a thread in the unraveling fabric of the society portrayed in the play. Together, they paint a bleak but bitingly humorous portrait of a nation where the powerful exploit, where the system has failed, and the common citizen is left caught in the crossfire.

The house isn’t just their prison. It’s a metaphor for the country. Its locked doors echo with stories of betrayal, of promises broken in the name of reform. And as the characters weave in and out, bringing their chaos and confessions, we’re left with an uncomfortable truth: perhaps we are all, in some way, under house arrest.

Yet, despite the weight of its message, House Arrest never feels preachy. Anwar Maqsood’s wit is razor-sharp, his humour disarming. He allows us to laugh before we realize what we’re laughing at.

One of the play’s most powerful moments comes in the form of a domestic brawl a comedic yet deeply moving scuffle between the women and their daughter-in-law. The movements bordering on gymnastics are brilliantly performed by the cousin and daughter-in-law. It’s chaotic, yes. But also cathartic. Because in that moment, the tension breaks. The truths spill out. And we are reminded why theatre remains such a vital art: it makes us feel and think.

The play had it’s humorous moments with laughter resonating in the hall unabashedly. The acting of the characters was superb, specially the main characters Shameen Tariq who played the role of Bee Amma and Raisa Raisani who played the role of Nasreen. But one felt the lack of cohesion in the presentation here and there. Was it due to the meddling of strong outside factors and censorship perhaps? Overall the play was a much needed injection for the Karachi crowd bring to mind the adage laughter is the best medicine.

The post A Satire That Hit the Heart appeared first on Glam Magazine.

An Interview with Misbah Khalid on the Evolution and Vision of PIFF

Misbah Khalid, one of the driving forces behind the Pakistan International Film Festival (PIFF), shares its background, challenges and hopes for Pakistan’s film industry. Since its launch in 2018, PIFF has grown as a vital platform for young filmmakers, aiming to elevate Pakistani cinema on the global stage. This interview highlights PIFF’s mission, achievements, hurdles and future ambitions. Recently, PIFF held it’s four day festival from 19^th June.

How has PIFF evolved since its inception and what is the main focus of PIFF?

Pakistan International Film Festival (PIFF) is a project of the Karachi Film Society (KFS), which was founded in 2018. It is the brainchild of Sultana Siddiqui, and our goal from the very beginning was to create a platform for young people where they could showcase their talent and find real opportunities in the film world.

Our first festival in 2018 was a huge success. We had an incredible lineup of guests from India — directors, producers, and writers — as well as participants from the US, France and Iran. It was a truly international gathering. We screened a wide range of films and received a very positive response.

We also organized workshops and panel discussions that brought professionals and aspiring filmmakers together. For example we invited renowned Indian screenwriter Ashwini Malik for a scriptwriting workshop. We also brought in special effects makeup artists from Turkey — and invited Pakistani makeup professionals to come and learn the craft firsthand. One of our main goals is to bridge the gap between young creative industry professionals and masters of their craft. We want our local talent to receive the same level of training and exposure as professionals internationally.

What have been some of the biggest challenges you’ve faced in running a festival of this scale?

There are persistent visa issues and security concerns, making international guests hesitant to travel here. That way films are powerful — they can reshape perceptions. We need to show the world that Pakistan is a beautiful place with rich culture, despite its challenges. I remember a group from the U.S. once visited us to explore filming opportunities. When we took them around to Lahore’s food street, the historic havelis and the stunning North — they absolutely fell in love. That’s the kind of image we want PIFF to project.

How do you see PIFF contributing to the growth of Pakistan’s film industry both locally and globally?

PIFF plays a vital role in developing filmmakers. We’re not just showcasing films — we’re working at the grassroots level on scriptwriting, makeup, budgeting, and all departments that go into film production. Our goal is to provide a platform where young people can learn and eventually begin making their own films.

When we send participants for training or bring in expert trainers to work with them, it sparks creativity. This field thrives on inspiration, and when young filmmakers interact with seasoned professionals, it opens up new ways of thinking.

We’re fortunate to have names like Mehreen Jabbar, Sarmad Khoosat, Javed Jabbar and Sharmeen Obaid-Chinoy on our board — incredibly talented people who serve as mentors to the younger generation. That creates a huge scope for learning and growth.

What kind of support do you think is still missing for film festivals in Pakistan to truly flourish?

The biggest missing piece is government support — especially funding. It’s easy to dream big, but making those dreams a reality takes money. Organizing a festival, bringing people in, setting everything up — it all comes with costs.

So far, we’ve done what we could with a group of passionate, like-minded people. But without consistent financial backing from the government, there’s only so much we can do. There are many challenges, and I really believe the government needs to step up — not just with funds, but also with moral and structural support.

Film festivals like PIFF help put Pakistan on the global map. They also create crucial platforms for young talent to learn, grow, and move forward in their careers. For that to happen on a larger scale, we need sustained investment.

What’s your vision for PIFF in the next five years? Any new initiatives or directions you’re excited about?

My vision for PIFF is for it to one day celebrate 75 incredible years — that’s how long I want it to thrive and grow. When I went to the Berlin Film Festival early this year, I saw everything they had built over the years, and honestly, it opened my eyes. It made me realize what’s possible, even though we don’t have that kind of budget or support yet.

I also want to see our filmmakers and our stories showcased globally. Right now, we don’t have a strong footprint on the international circuit. A few passionate, dedicated individuals have taken it upon themselves to create films and get them into festivals, but we need more people to step up.

What advice would you give to aspiring festival organizers or filmmakers in Pakistan?

Dream. Dream big and keep your goals high. Stay positive and never give up. When you bring an idea forward, many people might say it’s impossible — that it can’t happen. But believe me, whatever you carry in your heart, you can achieve it.

Universities, colleges, and the government should come together to nurture young talent. Train them properly, send them abroad if needed, but with one condition: when you train, you must produce films that can succeed globally. I firmly believe Pakistan’s films will soon be featured in every major film festival — winning awards, telling our stories and showing the world who we really are.

The post Opening Vistas for the Youth appeared first on Glam Magazine.

A mass communication graduate, Karamat Ali brings to the screen a story bound in legacy. Hundan is a docu-drama that protects forgotten voices, confronts environmental exploitation and resurrects the dying Burushaski language.

 “My grandmother used to cry while telling me this story.”Karamat said,when asked what inspired him to make Hundan. “This story was part of my childhood. My grandmother would narrate it with such emotion that it stayed with me. There was no television, no other distractions in those days. The story is about coexistence, and how doing wrong never goes unpunished.” That seed of storytelling was planted in 2007. After an initial attempt as a documentary and a reenactment performance that won hearts at a cultural event, he decided to take the bold step into narrative cinema. Eighteen years later, Hundan was born.

“Trophy hunting is not sport, it’s a crime against innocence.”At its heart, Hundan is a powerful protest against trophy hunting, a practice that has devastated local wildlife, particularly the endangered species like the ibex.“Who has given us the right to kill an innocent being just for entertainment?” Karamat questions with intensity. “We portrayed both sides — the greedy, and those trying to stop the greed. But my intention was clear: to show the heartbreak, the loss. There’s a scene where a mother ibex is killed in front of her young. That pain is real. And unforgivable.” The symbolism goes deeper. “Hun means wood, and dan means stone. Together, ‘Hundan’ is a metaphor — when you go against the path of righteousness, nature will respond. It becomes your teacher.”

Hundan also protects Burushaski, a dying language native to the region. “When someone is about to die, people go to see them with all their emotions. That’s what I’ve done with Burushaski — I’ve shown its joy, sorrow, anger, peace and mourning,” says Karamat with feelings. Though the film is being dubbed in Urdu for a wider audience, its original language remains its soul.

Filming Hundan was anything but smooth. The movie was supposed to be shot during the snow season, but due to climate change, the team found themselves waiting weeks for snowfall that never came. “I had to manually fill snow in some patches to make the scenes consistent,” he explained. Budget was another battle. “Most of the money went into fuel — we needed heaters, electric mattresses and generators to survive the mountain cold.”

But passion found a way. The cast, though not professional actors, were chosen with precision. Shahino was played by Alhan ul Qudrat, a seismologist, while Mayon was brought to life by Zahid Azeem, a school principal, both belonging to the area. Their physical endurance made it possible to shoot in the toughest terrains. “I didn’t stick to a fixed script,” Karamat says. “I’d explain the previous and upcoming scenes and asked the actors to speak in their own way. Munira Shah, who played Nisa, didn’t speak Burushaski — she had to learn her dialogues and understand it from scratch.” The grandmother’s character was portrayed by a real elderly woman, encouraged to act as naturally as she would. An old man who was also a professional storyteller delivered the final tale in the film.

Hundan is dedicated to Ghulam Uddin Hunzai, a beloved teacher and poet who translated the Quran into Burushaski and wrote educational books despite having only learned through the Qaida. “He was selfless. He taught generations — and now, they are all successful in their fields.”

When asked what advice he has for aspiring filmmakers, Karamat doesn’t hold back, “You need to be madly in love with your story. Don’t make films just to get views – make them to change lives. If your story doesn’t have a purpose, don’t tell it. And don’t do it if you don’t have the resources — unless you’re truly passionate. You need to be mad about your work.”

Karamat isn’t done telling stories. His next project, “A Missing Piece — Peace,” is a short film series focusing on the alarming youth suicide rate in Gilgit-Baltistan. “In one year, 56 suicides were reported aged 14 to 35. That’s heartbreaking. The lack of opportunity, peer pressure etc, it’s real, and it’s killing our youth.” He’s also preparing for a cross-border film on Pakistan-China friendship, partially shot in China. “It’s a story of a child’s struggle, a message of unity.”

 “If Hundan could stop just one person — many just come for the fun — from trophy hunting,” Karamat says, “we’ve succeeded. Why not turn it into a sight-seeing opportunity instead? The animal doesn’t know it’s part of the game — it’s not a sport, it’s murder. Shoot it with a dart and make it unconscious, don’t kill it for the sport of it.”

Hundan: An Echo of a Dirge is more than a film. It’s a resurrection of language, a cry against cruelty, and a tribute to the power of folklore. Through the eyes of a grandmother, the blood of the mountains, and the beating heart of a culture on the edge, Karamat Ali has told a story that refuses to be forgotten. And as long as the stones whisper and the wood remembers, Hundan will echo its message.

Cast & Crew Share the Soul Behind Hundan

Alhan Ul Qudrat (Shahino)

“I never imagined I’d step into acting — it just wasn’t part of the plan. But growing up in the mountains, we’ve witnessed these stories all our lives. They’re part of who we are. The message of Hundan — that we must preserve wildlife and avoid harming nature — really resonated with me. Because what we destroy in nature eventually finds a way back into our own lives. It was also a proud moment to be part of the first film ever made in the Burushaski language. I gave it my all.”

Zahid Azeem (Mayon)

“Like Alhan, this was my first time in front of the camera — and honestly, I never thought I’d be able to do it. But with Karamat’s mentorship and the support on set, everything felt possible. Burushaski is my own language, and I feel lucky that I could express this story in words that come from my roots. It made the experience even more personal.”

Munira Shah (Nisa wife of Shahino)

“I don’t speak Burushaski, and I was really nervous about my accent. I told Karamat I wasn’t sure I could do it — but he simply said, ‘I’ll support you,’ and that meant everything. I had always dreamed of visiting Hunza, but I wanted to go with purpose. The love and support I received were overwhelming. We weren’t just a crew — we were a family. Every moment was joyful, filled with warmth and laughter.”

Shagufta Rasool (Asst. Director)

“Karamat is an incredible director — truly committed and calm even during duress. Yes, there were challenges during the shoot, but every problem was taken care of. The support from our team, especially our First AD Amjad — who’s also Karamat’s brother — made it all smooth. We pulled through as a strong, united crew.”

Extract: Filming Hundan was anything but smooth. The movie was supposed to be shot during the snow season, but due to climate change, the team found themselves waiting weeks for snowfall that never came.

The post Hundan: Touching the Core of Humanity appeared first on Glam Magazine.

Barrister Breaking the Barriers

Zahrah Sehr Vayani is a seasoned litigator with over 14 years of diverse legal experience across Pakistan and the UK. Appointed as Assistant Attorney General for Pakistan in January 2024, she has represented clients in high-profile civil, constitutional, family, commercial, banking, and criminal matters before the High Court of Sindh and other forums.

A graduate of the University of Manchester and a member of Lincoln’s Inn, Zahrah was called to the Bar of England and Wales in 2008 and later became an Attorney at Law in New York after clearing the NY Bar. Her legal journey began in London, where she trained at a criminal set and became one of the few Pakistanis to complete pupillage in the UK. In Pakistan, Zahrah has worked with prestigious chambers before co-founding the female-led firm Malkani and Vayani. Today, she leads her own practice, Zahrah S. Vayani & Associates, with a team of twelve associates.

Beyond the courtroom, she is a fierce advocate for women’s rights and legal empowerment. Zahrah is the founding CEO of the Women Lawyers’ Association, and has served as a subject-matter expert on child abuse for the Sindh Provincial Parliamentary Advisory Committee. She is actively engaged in pro bono work, particularly in cases involving harassment, domestic abuse, child rights, and rape.

She is also a member of the Employment Lawyers Bar Association (UK) and has worked on projects with PILER and the Legal Aid Society, focusing on property rights and legal education.

A Mission for Inclusive Empowerment

Bisma Qamar is Pakistan’s official Youth Delegate to United Nations. Born and raised in the U.S, she made a deliberate move to include Pakistan focused on bridging the gap between talent and opportunities across both regions – believing the real challenge lies not in talent but in the lack of recognition and representation of that talent to grow.

In the field of learning and development, Bisma has focused on developing learning interventions and platforms aimed to acknowledge, educate and then empower individuals across academic and corporate sectors – tapping their potential through capacity building.

As a representative on global forums such as the United Nations, she has been working towards creating inclusive policies and platforms – where it’s no longer about waiting for a seat to be offered but rather on enabling individuals to bring their own chair and expand the table. “The world belongs to those bold enough to shape it.” For Bisma, leadership is about abundance by building equitable access and opportunities for all those who simply dream.

The Knockout Queen of Lyari

From the streets of Lyari to the world-boxing arena, 19-year-old Aaliya Soomro is punching her way through history—one knockout at a time.

In just 45 seconds, Aaliya floored her Thai opponent in a World Boxing Fight in Bangkok, making global headlines and proving that power doesn’t come from privilege—it comes from passion. With no sponsors, no fancy gyms, and no big names backing her, Aaliya’s strength came from within. “Boxing isn’t just for men,” she declared, smashing stereotypes with her gloves and grit.

Born and raised in one of Karachi’s most underprivileged areas, Aaliya started boxing at just six years old. What began as a childhood dream has now grown into an unstoppable legacy. She remains undefeated in her professional career and is now gearing up for her next bout—a high-stakes fight against an Indian opponent in Dubai this August, for the Women’s International Boxing Association title.

Honoured at the Karachi Press Club with a ceremony hosted by the Pakistan Association of Press Photographers, Aaliya’s story resonated deeply with everyone present.“Her success is a beacon of hope for young women,” said veteran journalist GM Jamali.

Today, Aaliya Soomro isn’t just fighting in the ring, she’s fighting for recognition, respect, and for every girl who dares to dream.

Rising Stars on the Track

From the bustling streets of Karachi emerge three young athletes redefining what it means to dream big. Anaya Ahsan Feroz, Alayna Asif, and Rania Fayyaz, all under the age of 15, are capturing national attention with their exceptional track and field performances.

With golds and bronzes from the Quaid-e-Azam Games 2024 and podium finishes at the National Games in Multan, their achievements speak volumes. Representing Pakistan at the 8th Children of Asia Games in Russia, they’ve already made their mark internationally. These girls aren’t just running races, they’re paving the way for Pakistan’s bright athletic future.

Kicking Stereotypes

Mazhar Mehsud of South Waziristan just put Pakistan on the global Taekwondo map and he did it in gold. The young martial artist clinched a gold medal at the 21st WATA Open Taekwondo Championship held in Osaka, Japan, defeating India’s Vinodh Kumar in a fiercely fought final.

Hailing from a region often overlooked in sports, Mazhar’s victory is not just a personal triumph but a win for the entire nation. His dedication, discipline, and spirit have made him a symbol of resilience and rising talent from Pakistan’s tribal belt. Draped in the national flag, standing tall with medals around his neck, Mazhar Mehsud is not just a champion; he’s a beacon of hope for a new generation of athletes.

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